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Isaiah 11:1-10                                            

 

PEACEABLE KINGDOM – The primary core message of this passage is that God will establish justice and righteousness on earth and in history. American Quaker artist Edward Hicks (1780-1845) is most noted for his "Peaceable Kingdom" painting; off to the side of the beasts and little children playing together there is a scene of William Penn and the other leaders making a treaty with the Native Americans, perhaps illustrating this passage. Such is the vision and hope for a new creation that humanity yearns for and which the divine Sovereign only can provide.

STUMPS AND ROOTS— Stump of Jesseimage of death, hopelessness, and futility; describes perfectly the circumstances of the Southern Kingdom, Judah at the time of this writing: Assyria, the menacing bully to the east threatens to swallow Judah whole. There is not possible way that Israel can hope to fight and win against the Assyrians—and both sides know that. Root of Jesse image of hope and new life and resurrection. Just when Judah was about to become reduced to toilet wall graffiti, something totally unexpected happens from within the old stump; a little sprig pops out. Small and insignificant in light of the entire forest, but still there it is popping out of that old dead stump; the leftover from a former glorious past of a nation that once had towered among the nations of the world but had long been in decay from the inside out—injustice and violence its common allies.

connections

What is the most comforting part of this lesson to you? What is the most disturbing part of the passage to you? What is the most improbable part of the passage? The most striking feature of vv. 6-8?

gambits

The vision of Isaiah’s peaceable kingdom: it is an incredible park, beautiful, breathtaking. A Garden of Eden. Reminds me of the beginning of Jurassic Park—another Garden of Eden, another peaceable kingdom where huge animals seem docile and gentle. Yet the garden turns in on itself and becomes a living hell, a feeding ground of beasts; a scene right out of the apocalypse of John—especially when the power goes off in the Park and the saw-tooth, shrewd raptors escape. You might want to hold up "parks" in tension—the fun and entertaining Disneyland types over against other kinds of playgrounds

The following is a powerful image, dark and foreboding of a vision within evil fences:

"When I was six years old I played on the most marvelous playground. As I remember it now, it was all mine, though certainly other children must have been around to play on it. I still see it through my six-year-old eyes, and it stretches out forever behind our two-story house in Frankfurt, Germany . . .

I remember it as a place filled with wonderful things. I climbed up and over broken brick walls, and I was a cowboy standing on a mountain. I scaled enormous slabs of concrete that slanted up out of the ground and found a dozen secret places that only I knew about. Raspberries grew on my playground, and gooseberries, and red currants: I picked them right off the vine and ate them and stained my shirt with them. In a shoe box I collected little scraps of melted glass that littered the earth. You could find all sorts of things on my playground.

One day I was digging in my playground and uncovered a little blue rubber motorcycle. I scraped the dirt away. The wheels still rolled. The little blue motorcycle could have been mine. I knew it wasn’t. It belonged to someone else, to another little boy. It belonged to whoever had played on my playground before me.

I wondered what had happened to that little boy, and as I wondered, a fact I had known, assumed, and taken for granted slipped from the surface of my knowing into the very depts. Of my awareness. What I had dug up that day was not only a little blue motorcycle, but an awareness of the presence of evil in the world. My world." [1]

"What is the Kingdom of God [like]? It is a public park! It is a park where old people are no longer cold and lonely and ill and senile, but participants in a community. It is a public park where the elderly can sit together and bask in the sun, and talk and laugh over the good old days in full vigor and clear mind and satisfaction of life.

The kingdom of God is a public park where little children can run and play in its squares, in safety and fun and delight. . . . it is a place where no child is abused or unwanted or malnourished, and where there is not even a bully among the group, shoving and taunting the littler ones until they break into tears. The Kingdom of God . . . is a public park where the streets are safe for children." [2]

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[1] Patrick Willson’s personal story in The Witness of Preaching, by Thomas G. Long (Louisville: Westminster/John Knox Press, 1989), page 174.
[2] Ibid, page 164.