Anticipating Joy
a sermon based on John 1:6-8, 19-28
by Rev. Thomas Hall
The third Sunday of Advent and were more
than halfway through our wait for Christmas to arrive. Theologically speaking, were
at the "joyfully waiting for the advent of our Lord" stage.
Standing on the furthest shore of the Jordan, Isaiah says that the Coming One will give
those who mourn garlands of flowers, the oil of gladness, and the mantle of praise.
Standing closer to our side of the Jordan, Paul hands a "things to do today"
list to his beloved congregation that begins with pantote chariete, "rejoice
always." He writes those words in the 2nd person singular so that it comes out in
English with a sort of southern drawl: "You all, rejoice! Always!"
But probably the biggest change toward joyful anticipation comes from John the Baptist.
Remember him last week? All that exotic camel hair and locusts and wild honey and the
in-your-face preaching about repenting? But today, just look at him! Hes being
interviewed! And he, too, gives a joyful announcement:
Among you stands one whom you do not know,
The one who is coming after me and I am
Unworthy to even untie the thong of his sandals.
But amidst all this joy, beware! Something is not quite right. Keep your eye on the
delegation of religious officials who show up from Jerusalem. They are not there on a
package tour of the Holy Land; they have come on an official mission: to interrogate John.
The very first words from their mouths clue us as to what theyre up to: "Who
are you?" This is no small hows-the-weather? Talk. No pictures of grandchildren
passed around. Just a blunt, "Who are you?"
John quickly moves from talk show candidate to a defendant on trial. The entourage from
Jerusalem have come as judge, jury, and lynch mob to arrest John or at the least, to put
Johns ministry to the test. John is called to stand trial as the only witness for
his defense. The People of Jerusalem versus John the Baptist. Listen to the court record:
prosecution: Who are You? Are you the Messiah?
defendant: I am not the messiah.
prosecution: What, then, are you Elijah?
defendant: I am not.
prosecution: Are you the Prophet?
defendant: No.
prosecution: Who are you then? Tell us about yourself. [Answer the Court.]
defendant: I can speak about myself only by speaking of someone else. I cry in the
wilderness, announcing the coming of another.
prosecution: This is confusing. Why, then, are you baptizing?
defendant: I baptize with water, but there is one standing in this court at this very
moment, and you do not know him. I am not worthy to untie his sandals.
Like art curators, they came out to John dragging with them age-worn, tattered
portraits of what they thought Messiah would be like. They had tried to capture God on
canvas-based on the ancient writings of the prophets. They knew what color Gods
Anointed One was supposed to be-Purple-the color of royalty. They knew what he was
supposed to look like-sitting atop a white horse with a patina of light arching above and
around his head. They knew every prophecy about Christ-had most likely memorized it. They
had prayed for the Coming One. Yet the portrait that John unveiled out there in the desert
was so strange, so different and intruding, obtruding, disrupting, strange, and yet
joy-erupting, that the Jerusalem delegation had to go out and compare portraits-to see for
sure if John perhaps measured up to their versions of messiah.
One of my most joyous, but sad experiences was when I traveled Europe earlier in my
life. I had spent almost six years there, had viewed hundreds of famous paintings just
because the tours fit my budget. But it wasnt until I came back to the States and
took a course in art history that I began to understand some of the context for these
masterpieces. Knowing the geography, something of the political climate, knowing something
of the artist suddenly made the portraits significant and filled with meaning. The art
history course showed me how much I had missed. I witnessed the masterpieces, but because
I didnt know what to look for, I didnt see a thing that brought meaning.
What portrait do you have of God? Albert Schweitzer once wrote that
Jesus comes to us as One unknown, without a name, as of old, by the lake-side, he came
to those men who knew him not. He speaks to us the same word: "Follow me!" and
sets us to the tasks which He has for us. To those who obey, he reveals himself in the
toils, the conflicts, the sufferings, through which they shall pass in his fellowship, and
they shall learn in their own experience Who He Is.
He comes to us as One Unknown. Robert Webber tells of a pilgrimage that he took in his
search for God. He starts out in a denomination that has more answers than questions. He
says that in his training to be a seminary professor, he was taught to defend the faith.
To "prove" God; much of his energy centered around knowing all the facts about
God, leaving little room for Mystery. He happened into an Episcopal Church one Christmas
Eve, entering by himself. He watched as the altar boys prepared the candles, and as the
banners and incense were carried down the aisles. He suddenly realized that here he had
discovered something that bypassed all of his training; here was no defense for the faith,
but rather a celebration of the Mystery of God in Christ.
Perhaps some of us here have been dragging around with us some age-worn portrait of the
God we once knew at our baptism. That we once knew in a deeply moving experience. That we
once knew in Sunday School. The paint has long dried and peeled. The colors have faded.
Maybe it is time to leave behind the God we once knew in the past for the God that comes
to us now in Jesus Christ.
Todays gospel lesson from John is both joyous anticipation and solemn warning.
The announcement: rejoice, and again I say rejoice! Always! For your God is coming to you
and God will touch your life and make you whole. But beware! Caution! For the advent of
God among us in the baby of Bethlehem can be so delicate, so unexpected, so strange, and
ordinary, that we might miss it altogether. Amen.